1. Alex Damashek

    Posted by Justin Boland on Jun 28, 2011 | 0 Comments

    Since our interview with Eamon Mulligan, we haven’t talked much about music management. That needs to change immediately. I’m grateful to bring you an interview with the manager behind independent hip hop success stories Tanya Morgan and YC the Cynic, a humble and hard-working cat by the name of Alex Damashek. Here, we’re talking booking tours, artist development, and the daily operation of running music careers like an actual business…

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  2. Zilla Rocca: Gems from the International Dart Parlour

    Posted by Justin Boland on Jun 15, 2011 | 0 Comments

    Zilla Rocca was speaking some truth yesterday and I had to republish it here on Audible Hype. Zilla has been through everything we cover here: booking tours, starting labels, record deals, building scenes, artist management, branding and marketing…yup. So think his testimony here is probably the most important stuff I’ll be posting this year. I won’t steal his thunder with a synopsis, I’ll just let him speak…

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  3. C Rayz Walz: Sun Cycle Business Plans

    Posted by Justin Boland on Jun 13, 2011 | 0 Comments

    For your Monday morning enjoyments, here’s a short interview with a living legend. I’ve been a fan of this cat since Whodafuckareyou? came out and I’m grateful to be able to share some words from C Rayz Walz, certified ninja and Sun Cycle Entertainment CEO, too. (Big thanks to Dub MD for making this interview possible.)

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  4. Sneaky Pete: Been There and Back

    Posted by Justin Boland on Jun 07, 2011 | 0 Comments

    So this interview is about a year overdue. Still, it’s such a refreshing slice of venting honesty I had to format it up and publish this puppy. Sneaky Pete has had a long, strange and slightly frustrating career and here, we’re discussing every aspect of that. Bad decisions and lucky breaks, live shows and album releases, Sneaky Pete has a lot of experience and no problem speaking his mind — enjoy.

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  5. A Question About Cold Contacting Artists Without Looking Like a Dumbass

    Posted by Justin Boland on May 31, 2011 | 0 Comments

    Reader question I had to share:

    I’m an up and coming producer out of Wellington, New Zealand. I was wondering if there have been any posts on the proper etiquette when getting in contact with artists to shop beats? ie; is one email enough, whether to give links to soundcloud/bandcamp or actually give a mediafire link to a beat tape, whether to give snippets vs full beats, or tagged/untagged beats etc? On the article I read about !llmind, he said reputation was everything - I wanna be able to come up as a respected beatsmith, and not look like a chump who’s just spamming to get his name out.

    Big shout out from the bottom of the south pacific, CV

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  6. Nasa from Uncommon Records Part 2

    Posted by Justin Boland on Apr 30, 2011 | 0 Comments

    Since I first interviewed Uncommon Nasa almost two years ago, his label Uncommon Records has been building a name worldwide. They’ve expanded the roster, the fanbase and the catalog, so this follow-up interview is a detailed look at the business behind an effective independent hip hop label.

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  7. Nobody is Going to Put You On

    Posted by Justin Boland on Apr 22, 2011 | 0 Comments

    Reader question: “Do you think A&R’s are important, and how does a new artist send in his stuff or get looked at?” Quick Answer: Fuck no and don’t bother. Not being funny or even sarcastic: no label is investing in artist development and nobody in A&R cares about you until you’re making serious waves already, on your own, and building a track record of proven profitability. The long answer is more interesting than that, though…

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  8. Hip Hop 2011: What Do I Do Next?

    Posted by Justin Boland on Apr 21, 2011 | 0 Comments

    I’ve been doing Audible Hype in one form or another since 2008, and I get the same question at least once every week: “I’ve released an EP / mixtape / album / single … what do I do next?” This week, I happened to get the question from K-Shaun, a Virginia rapper, so I’m using his situation as an example — this is a short guide to sitting down in front of a computer and making way more noise for your project, today.

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  9. How to Improve Your Live Show

    Posted by Justin Boland on Apr 17, 2011 | 0 Comments

    “I think acts who put on a great live show and provide an EXPERIENCE in concert are going to be able to find their way to the money, while MCs/artists who are talented on record but can’t hold it down live are going to have a lot of trouble making a living.”DJ Trackstar

    The Open Questions Thread is still going, but I’m going to get straight into answering some. First up, one of the most common questions was about how to deliver a better live show. Rather than waste your time with my own idiot beliefs, I’ve assembled a roundtable of six actual professional rappers to share their experiences. Dig it.

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  10. Open Forum: What Do You Want to Learn in 2011?

    Posted by Justin Boland on Apr 08, 2011 | 0 Comments

    Open thread for the weekend: What do you want to see covered on Audible Hype this year? What are the biggest roadblocks you’re dealing with in 2011? What continues to frustrate and confuse you? What are the most important topics I need to be focusing on?

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Music by Justin Boland